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International Christian Writers Report

Stan Baldwin

Stanley Baldwin, Founder and Editor

This is a sample of the free monthly email publication sent to members of ICW, ICW NET and ICW Prayer Fellowship.

ARCHIVES: previous reports

September 2006

1. Brave Souls Writing Clinic-A Change
2. “Identity Crisis” by Samuel Hall
3. Self-Publishing: A Look at BookSurge
4. Writing for The Upper Room
5. Personal Notes

 

1. Brave Souls Writing Clinic
A Change: Sheila Hagar is a feature writer for the Walla Walla, Washington “Union Bulletin,” an award-winning daily newspaper recognized by the American Society of Newspaper Editors as one of the best small daily newspapers in the United States. Sheila writes:

Can I suggest the Brave Soul manuscripts be published anonymously in ICW? The writer will know that month's selection is theirs and we can all learn from your critique without knowing who sent it in. In fact, I think this may be more beneficial; you will get edgier writing and if we don't know the gender of the writer, we can better absorb the information in the critique.
Giving an option is the best way. (Let the writers be identified or not, writer’s choice.) Nothing wrong, either, with allowing them to give identifying info without actually revealing names.
Also, just a thought, you might want to invite guest critics to throw other voices into the mix and keep it from sounding the same, people you trust, of course. It's always good to make a media piece interactive, and freelancers need that more than most.
I also think it would be fun for ICW to hold its own version of “the worst prose'' contest. We could see who can be the most ineffective, preachy, syrupy and spew out the most ``religiosity'' in one or two paragraphs!
Your longtime fan, Sheila

MEMBERS: THESE are all excellent suggestions, and much appreciated. From now on, when you send in your manuscript for this feature, indicate whether you want it to be anonymous or with your byline. If with byline, include a brief bio, and if anonymous, you can still give a bit of information short of revealing your identity. If any of you “old hands” at critiquing/editing will do a critique, please let me know. As for the “worst prose” contest, let’s hear from you. Would you be willing to submit something? Or be a judge?
Here's how it works:
1. Send an original unpublished work of yours by email, preferably as an attached Word document (or send it pasted into your message) to scbaldwin2@yahoo.com . Any genre, length 800 words or less.
2. Sending a manuscript constitutes your request for a critique AND permission to publish the piece in the ICW Report, in its original version and with critique.
3. This is where the Brave Souls comes in; it's not easy for a writer to have criticism of his work published for others to see. But publishing both the original and the critique provides a valuable learning opportunity for other members. And if it's a humbling experience for you, that may not be so bad either.
How to use this feature as a tool for improving your own writing:
DO:
1. Read the document in its original form. Then take at least a few moments to think how you might improve it if it were yours. You may want to print it out to facilitate your own critique of it.
2. Note spelling, grammar, punctuation, and other such technical errors, but, more important, note substantive weaknesses: unclear meaning, poor organization, omission of vital information, lack of focus, unappealing style.
DON'T:
1. Concern yourself with poor spacing, uneven lines, font type or size. In the process of sending documents by email, proper formatting is often lost.
2. Think you must agree with the critique as if it were infallible. Writing is an art form, not a pure science. Often there are many good ways to write about the same content. Suggested changes don't indicate an article is poorly done; they are more likely an effort to elevate good to better.

2. Identity Crisis:
This month's brave soul: Samuel Hall
Sam served 20+ years as a government architect, which provided him the forum to work with a host of architects while advocating better design in the public sector. Additionally, architecture provided him entrée into realms he might have missed. He has traveled from the tip of Southern Africa to the Arctic Ocean to the foothills of Tibet.

Sam says, “I finally faced the fact that my talents and passion lay outside architecture. Writing was what stirred the fire in my belly, but I had to learn how to get published. I’ve now been published in magazines you’ve never heard of and I have a 103,000-word historical novel in the hands of an agent.”

ORIGINAL VERSION
IDENTITY CRISIS
Sometimes, who you are is not as important as what you are identified with. In the years before 9/11, apartheid-not Al Queda-made travel in Southern Africa uncertain. I knew this, as we’d lived for a year in Lesotho, a small country surrounded by South Africa.
I’d carefully plotted a six-country loop trip for my 75-year-old mother and Sandy, a relative, visiting from the States. We borrowed a van, which was just right for my wife and I and our two small children plus the visitors. Now, we’d just arrived in Swaziland, a remote kingdom wedged between Mozambique and South Africa.
We spent the night in Mbabane, the capitol, but Sandy’s reactions showed she wasn’t the seasoned traveler we’d expected. The drama of traveling in a Third World country still mired in the nineteenth century was lost on her. Rather than explore Mbabane the next day, she wanted to visit a friend with the Peace Corps, near Piggs Peak. I changed our reservations with a surly clerk and we left Mbabane the following morning. As we headed north, brilliant sunlight dappled the emerald hills with patches of gauzy light, promising a bright day.
Sandy’s visit took longer than expected, and shadows darkened the forest before we left Piggs Peak. Once underway, I announced, “Matsamo borderpost is about 30 kilometers farther. From there, we’ll cross into South Africa.”
As we entered Matsamo just after five o'clock, a rumbling string of lorries and carts met us, newly arrived from South Africa. Matsamo was an assortment of thatched roofed rondavels, a Portuguese quick stop, a tin-roofed general store and the squat borderpost building.
I scanned the station platform for uniformed officials, but my wife, Gloria, pointed to a large sign on the high wire mesh fence. Our hearts sank-the border had closed at five o'clock.
In Africa, one doesn’t rush about if he wants something. With forced calm, I asked an old Swazi sitting on the platform steps if another borderpost was open. Motioning to the east, he answered in English, "Yes, at Mananga. It closes at six o'clock, but it is 80 kilometers. You cannot cross today."
Checking my watch, I figured we’d have to travel 50 miles in 55 minutes-nearly 60 miles per hour-to get to Mananga by six. "So how is the road?"
Puffing his corncob pipe, he replied, "It is not tarred-only the last six kilometers. But it is too late to go there today."
Quelling my frustration, I appealed, "Is there anyplace for my family to spend the night in Matsamo?”
I anticipated his answer: "There is no place in our village."
There now remained 52 minutes to go 50 miles. My family waited for my decision. A dash to the Matsamo borderpost was a long shot, but where else could we go? I looked at Gloria and said, "Let's try it. I think we can make it," only half believing myself, as this was Africa. A tree across the road or a stream to ford, wild animals, and the arbitrary military roadblocks-these and more could be just ahead. I imagined what Sandy would say if I mentioned these possibilities.
I accelerated the van south, suppressing an impulse to floorboard it. Two kilometers and a turn off the tarred road took us on the dirt cutoff to Mananga. Occasional straight stretches permitted surges over 100 kilometers per hour. Just past the village of Herefords, the road swooped into a sandy swale and our vehicle fishtailed, spraying a curtain of dust. I glanced in the rear view mirror. Nothing but silence from my passengers. I knew they must be praying we’d reach the border in time-and in one piece.
Careening through wicked curves, we passed Mhlangatane and Sihoya, lonely huddles of unlighted rondavels. I checked the odometer. There was no way. Two minutes past six and we hadn’t even reached the paved section. It seemed pointless to ask God for the impossible but I silently cast a jumble of requests heavenward.
Our headlights illuminated pavement-the last six kilometers! The lights of Mananga borderpost glowed ahead. But it was nine minutes past six.
A rattletrap bus idled beside the platform while two borderpost policemen checked passports. I rehearsed my speech as we pulled to a stop. One of the officers stalked toward our vehicle. “You are too late! You will have to come back tomorrow!”
“Come back from where?” I wanted to shout, “Can’t you see we’re tourists?” But I remained calm.
The second policeman approached and began speaking in a low voice, pointing to the front of our vehicle. The scowling one turned back to us, and with a conciliatory tone, announced, "You may come through. Give me your passports."
Gloria thrust six passports at him. In the time it took him to stamp our passports, I realized that our Lesotho license plates had brought deliverance. We were identified with black Africa, not the South African apartheid system. That had made the difference.
The van picked up speed. My mother laughed, and we all joined in. The half moon silhouetted cumulus clouds stacked over Mozambique. A herd of gazelles, looking like phantoms in the moonlight, drifted into the distance.
I knew God had brought that bus to the Mananga borderpost, delaying its closing. He had given us grace to cross the border-not because of my determination-but in response to prayer. Our license tag was a symbol of identification with Christ-allowing us to leave the old life, crossing the border to a new land of freedom, purpose and “the peace Jesus gives us.”

Critique:
This is a good story in terms of its exotic setting, inherent adventure and the descriptions.
It has two major problems:
1. No clear sense of urgency exists. What does it matter whether you make the crossing or not? So, sleep in the car until morning. Big deal.
2. The narrative is burdened with irrelevant information. Sandy has nothing but an incidental role. Why you were late at the border doesn’t really matter, and this treatment inevitably reflects on her as a person, and perhaps on you as well. Yes, it was her “fault” you were delayed at Piggs Peak, but you, the guide, didn’t even know you had to be there by 5. That was your fault, or at least not hers.
Its minor problems include:
1. The gratuitous mention of Al Queda looks like an ingenuous attempt to be contemporary.
2. My comments inserted in the text below in ALL CAPS

IDENTITY CRISIS
Sometimes, who you are is not as important as what you are identified with. GOOD THEME SENTENCE FOR THIS ARTICLE. A BIT AWKWARD, THOUGH. BETTER: . . . . NOT AS IMPORTANT AS HOW YOU ARE IDENTIFIED, OR . . . HOW YOU ARE PERCEIVED. In the years before 9/11, apartheid-not Al Queda-made travel in Southern Africa uncertain. I knew this, as we’d lived for a year in Lesotho, a small country surrounded by South Africa.
I’d carefully plotted a six-country loop trip for my 75-year-old mother and Sandy, a relative, visiting from the States. We borrowed a van, which was just right for my wife and I ME and our two small children plus the visitors. Now, we’d just arrived in Swaziland, a remote kingdom wedged between Mozambique and South Africa.
We spent the night in Mbabane, the capitol, but Sandy’s reactions showed she wasn’t the seasoned traveler we’d expected. The drama of traveling in a Third World country still mired in the nineteenth century was lost on her. Rather than explore Mbabane the next day, she wanted to visit a friend with the Peace Corps, near Piggs Peak. I changed our reservations with a surly clerk and we left Mbabane the following morning. As we headed north, brilliant sunlight dappled the emerald hills with patches of gauzy light, promising a bright day.
Sandy’s visit took longer than expected, and shadows darkened the forest before we left Piggs Peak. Once underway, I announced, “Matsamo borderpost is about 30 kilometers farther. From there, we’ll cross into South Africa.”
REWRITE THREE PRECEDING PARAGRAPHS TO OMIT SANDY OR AT LEAST ANY REMARKS REFLECTING ON HER.
As we entered Matsamo just after five o'clock, a rumbling string of lorries and carts met us, newly arrived from South Africa. HOW IS THIS RELEVANT? DID THEY DELAY YOU? Matsamo was an assortment of thatched roofed rondavels, a Portuguese quick stop, a tin-roofed general store and the squat borderpost building.
I scanned the station platform for uniformed officials, but my wife, Gloria, pointed to a large sign on the high wire mesh fence. Our hearts sank-the border had closed at five o'clock.
In Africa, one doesn’t rush about if he wants something. With forced calm, I asked an old Swazi sitting on the platform steps if another borderpost was open. Motioning to the east, he answered in English, "Yes, at Mananga. It closes at six o'clock, but it is 80 kilometers. You cannot cross today."
Checking my watch, I figured we’d have to travel 50 miles in 55 minutes-nearly 60 miles per hour-to get to Mananga by six. "So how is the road?"
Puffing his corncob pipe, he replied, "It is not tarred-only the last six kilometers. But it is too late to go there today."
Quelling my frustration, I appealed, "Is there anyplace for my family to spend the night in Matsamo?”
I anticipated his answer: "There is no place in our village."
There now remained 52 minutes to go 50 miles. My family waited for my decision. A dash to the Matsamo borderpost was a long shot, but where else could we go? I looked at Gloria and said, "Let's try it. I think we can make it," only half believing myself, as this was Africa. A tree across the road or a stream to ford, wild animals, and the arbitrary military roadblocks-these and more could be just ahead. DELETE NEXT SENTENCE I imagined what Sandy would say if I mentioned these possibilities.
I accelerated the van south, suppressing an impulse to floorboard it. Two kilometers and a turn off the tarred road took us on the dirt cutoff to Mananga. THIS READS LIKE DIRECTIONS. BETTER TO DESCRIBE THE DIRT ROAD-SWIRLS OF CHOKING DUST? BETTER (FASTER) THAN EXPECTED? WINDING? Occasional straight stretches permitted surges over 100 kilometers per hour. STICK WITH MILES SINCE THAT IS WHAT YOU CHOSE ABOVE. Just past the village of Herefords, the road swooped into a sandy swale and our vehicle fishtailed, spraying a curtain of dust. I glanced in the rear view mirror. Nothing but silence from my passengers. I knew they must be praying we’d reach the border in time-and in one piece.
Careening through wicked curves, we passed Mhlangatane and Sihoya, lonely huddles of unlighted rondavels. I checked the odometer. There was no way. Two minutes past six and we hadn’t even reached the paved section. It seemed pointless to ask God for the impossible but I silently cast a jumble of requests heavenward.
Our headlights illuminated pavement-the last six kilometers! The lights of Mananga borderpost glowed ahead. But it was nine minutes past six.
A rattletrap bus idled beside the platform while two borderpost policemen checked passports. I rehearsed my speech as we pulled to a stop. One of the officers stalked toward our vehicle. “You are too late! You will have to come back tomorrow!”
“Come back from where?” I wanted to shout, “Can’t you see we’re tourists?” But I remained calm.
The second policeman approached and began speaking in a low voice, pointing to the front of our vehicle. BUILD ON THIS A BIT. WHAT DID YOU THINK HE WAS POINTING AT? AND WHY? The scowling one turned back to us, and with a conciliatory tone, announced, "You may come through. Give me your passports."
Gloria thrust six passports at him. In the time it took him to stamp our passports, I realized that our Lesotho license plates had brought deliverance. We were identified with black Africa, not the South African apartheid system. That had made the difference.
The van picked up speed. My mother laughed, and we all joined in. THEY REALIZED OR SOMEONE SAID WHAT HAD OCCURRED? The half moon silhouetted cumulus clouds stacked over Mozambique. A herd of gazelles, looking like phantoms in the moonlight, drifted into the distance.
I knew God had brought that bus to the Mananga borderpost, delaying its closing. He had given us grace to cross the border-not because of my determination-but in response to prayer. Our license tag was a symbol of identification with Christ-allowing us to leave the old life, crossing the border to a new land of freedom, purpose and “the peace Jesus gives us.”
THIS CONCLUDING SENTENCE DOES NOT WORK FOR ME. IT SEEMS TO VEER OFF ON A TANGENT. IT’S JARRING. WITH SOME REFLECTION, I GATHER YOU ARE MAKING AN ANALOGY TO SPIRITUAL LIFE, BUT IT’S TOO UNCLEAR AND UNDEVELOPED TO BE EFFECTIVE. IT ALSO DOES NOT FIT THE THEME.


3. SELF-PUBLISHING: A Look at BookSurge
(Disclaimer: ICW has no firsthand experience with this publisher. Members are cautioned to use due diligence in checking them out. Any members who have used Booksurge, please report to us on your experiences.)
The following information is from Allison Brown of BookSurge Publishing: Booksurge Publishing has been around since 2000. It became an Amazon company on April 1, 2005.
Allison writes: Please take a look at one of our publishing programs that I think would be of interest to you, the "Author's Advantage Publishing Program (in B&W)." If you want to take advantage of this program, your only cost is $499
Author’s Advantage Black & White Publishing Program ($499.00 US Dollars)
Full layout, formatting and book creation from your Microsoft Word document. You can look at our Interior and cover templates here: <http://www.booksurge.com/publishingprograms/ppadvantage.php>
1. A full-color-cover design using our colorful, professional templates and your photographs. You may choose to submit your own cover, as well.
2. An ISBN (no bookstore will carry you without it, a $225.00 value).
3. A Barcode.
4. Book Selling page on www.Amazon.com, our Parent company, with a 1-2 day shipping quote and a search-inside-the-book feature!
5. Book Selling pages on www.BookSurge.com <http://www.booksurge.com/>, www.Target.com <http://www.target.com/>, www.WaldenBooks.com <http://www.waldenbooks.com/>, www.Borders.com <http://www.borders.com/> www.Alibris.com and www.Abebooks.com.
6. Listing on RR Bowkers www.BookInPrint.com <http://www.bookinprint.com/> and www.GlobalBooksInPrint.com <http://www.globalbooksinprint.com/>.
7. Author wholesale discounts of 30-70% off the retail price of your book, starting from the very first copy you order. The retail price is automatically determined by the final page count and the trim-size you choose for the book. You can see them here: <http://www.booksurgepublishing.com/printing.php>
8. Our Interior Templates for Formatting can also be found here: <http://www.booksurge.com/publishingprograms/authorsAdvantageInteriorTemplate.php>
9. Royalties of 25% of that retail price paid on every online sale of your book
10. Enrollment into our Talent Acquisitions Program
11. A hard cover version of the book is also available for a one-time fee of $199
12. IF YOU HAVE BLACK AND WHITE IMAGES INCLUDED
Number of Graphics/Images Included: Inclusion Fee:
1 - 10 $100
11 - 20 $200
21 - 30 $300
31 - 40 $400
41 - 50 $500
We have also developed some publishing “Packages” for authors who plan on investing a little more than the basic fee and gaining some more visibility for their work. I have attached them to this email or you can see them here: <http://www.booksurge.com/packages/>
In developing these packages, we have bundled the services that we feel are necessary to produce and aggressively market an attractive and professional book. The cost for these packages range from $1799.00 to $5,899.00
If you want marketing services, but these packages don't seem suitable, you can hand-pick the services you feel you need to customize a Package. In addition, we will schedule a marketing session to assist you with the implementation of your package.
As for royalties you receive 25% from all the websites we list your book on. Books that you sell on your own accord you will receive all the profit (100%).
For your convenience we accept Visa, MasterCard, American Express and Discover. We also can accept a faxed, mailed or scanned personal check.
We also have a FAQ section on our website here:
<http://www.booksurge.com/resources/>
Please contact me by phone at 1-843-789-5173 or by e-mail at allison.brown@booksurge.com. I look forward to working with you soon.

4. WRITING FOR THE UPPER ROOM
Hi, Stan. Mary Lou Redding here. I hope you're well.

I appreciated seeing Charles Harrel's note about his meditation that appears in the current issue of The Upper Room. FYI, the magazine is now (today - it changes almost every month) published in 81 editions, in 42 languages. Africa Upper Room Ministries has recently begun broadcasting the daily meditations in French in Africa, so the daily witnesses of our writers are now reaching even more people. As Charles mentioned, those who have their writing published in The Upper Room reach a huge audience. To put it in perspective: If a pastor preached to a new congregation of 2,000 every Sunday for twenty years without a vacation, that pastor would still not have addressed as many people as read a meditation in The Upper Room.

We always need good material and welcome new writers from around the world. Our writer guidelines are available on our web site: www.upperroom.org. Click on “daily devotional” on the right side of the home-page screen and then on “writer guidelines” on the left side of the daily-devotional screen. We’ve also recently added a form to the web site so readers can submit a meditation directly; the form prompts for each element needed in a meditation. We now get about 50% of our submissions via e-mail.

Blessings on your ministry!


5. PERSONAL NOTES:
From Terry White, editor of BMH Books:
I dropped into an Open House for our lead pastor last evening, Stan -- he's turning 50. One of the gifts a parishioner brought him was a Stan Baldwin book entitled something like "A Funny Thing Happened on My Way to Old Age" -- just thought you'd get a chuckle (and a royalty) out of knowing that.
REPLY: Thanks for the word about my book being given to your pastor. Reports like yours help me to remember that our writings can reach and bless people though we never even know it, except once in a while we hear somehow. So your email was a gift much appreciated.
On Jerry Jenkins:
Jerry worked under me at his first job in Christian publishing. In his newest book, Writing For the Soul, (Writer's Digest Books), Jerry writes several paragraphs about what that meant to him. Summing up: "Working under Stan was the best schooling I ever got."

Thanks, Jerry, and I still remember your dedication to learning all you could. You also told me once you wanted to do well in order to make your boss look good. That spirit meant a lot.
Back to Pastoring
I have recently accepted the interim pastorate of the historic (113 years old) Butteville Communty Church, near Wilsonville, Oregon. Exciting things are happening. If you find yourself in the area on a Sunday, please visit.
Meanwhile, keep writing!
Stanley Baldwin, Director

Contact Stanley Baldwin at scbaldwin2@yahoo.com <mailto:scbaldwin2@yahoo.com> .
For email address changes or deletions please reply to Jane Foard Thompson.

 

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