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International Christian Writers
Report

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Stanley Baldwin, Founder and Editor
This is a sample of the free monthly email publication sent
to members of ICW, ICW NET and ICW Prayer Fellowship.
ARCHIVES:
previous reports
September 2006
1.
Brave Souls Writing Clinic-A Change
2. Identity Crisis by Samuel Hall
3. Self-Publishing: A Look at BookSurge
4. Writing for The Upper Room
5. Personal Notes
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1. Brave Souls Writing Clinic
A Change: Sheila Hagar is a feature writer for the Walla Walla,
Washington Union Bulletin, an award-winning daily newspaper
recognized by the American Society of Newspaper Editors as one of
the best small daily newspapers in the United States. Sheila writes:
Can I suggest the Brave Soul manuscripts be published anonymously
in ICW? The writer will know that month's selection is theirs and
we can all learn from your critique without knowing who sent it
in. In fact, I think this may be more beneficial; you will get edgier
writing and if we don't know the gender of the writer, we can better
absorb the information in the critique.
Giving an option is the best way. (Let the writers be identified
or not, writers choice.) Nothing wrong, either, with allowing
them to give identifying info without actually revealing names.
Also, just a thought, you might want to invite guest critics to
throw other voices into the mix and keep it from sounding the same,
people you trust, of course. It's always good to make a media piece
interactive, and freelancers need that more than most.
I also think it would be fun for ICW to hold its own version of
the worst prose'' contest. We could see who can be the most
ineffective, preachy, syrupy and spew out the most ``religiosity''
in one or two paragraphs!
Your longtime fan, Sheila
MEMBERS: THESE are all excellent suggestions, and much appreciated.
From now on, when you send in your manuscript for this feature,
indicate whether you want it to be anonymous or with your byline.
If with byline, include a brief bio, and if anonymous, you can still
give a bit of information short of revealing your identity. If any
of you old hands at critiquing/editing will do a critique,
please let me know. As for the worst prose contest,
lets hear from you. Would you be willing to submit something?
Or be a judge?
Here's how it works:
1. Send an original unpublished work of yours by email, preferably
as an attached Word document (or send it pasted into your message)
to scbaldwin2@yahoo.com . Any genre, length 800 words or less.
2. Sending a manuscript constitutes your request for a critique
AND permission to publish the piece in the ICW Report, in its original
version and with critique.
3. This is where the Brave Souls comes in; it's not easy for a writer
to have criticism of his work published for others to see. But publishing
both the original and the critique provides a valuable learning
opportunity for other members. And if it's a humbling experience
for you, that may not be so bad either.
How to use this feature as a tool for improving your own writing:
DO:
1. Read the document in its original form. Then take at least a
few moments to think how you might improve it if it were yours.
You may want to print it out to facilitate your own critique of
it.
2. Note spelling, grammar, punctuation, and other such technical
errors, but, more important, note substantive weaknesses: unclear
meaning, poor organization, omission of vital information, lack
of focus, unappealing style.
DON'T:
1. Concern yourself with poor spacing, uneven lines, font type or
size. In the process of sending documents by email, proper formatting
is often lost.
2. Think you must agree with the critique as if it were infallible.
Writing is an art form, not a pure science. Often there are many
good ways to write about the same content. Suggested changes don't
indicate an article is poorly done; they are more likely an effort
to elevate good to better.
2. Identity Crisis:
This month's brave soul: Samuel Hall
Sam served 20+ years as a government architect, which provided him
the forum to work with a host of architects while advocating better
design in the public sector. Additionally, architecture provided
him entrée into realms he might have missed. He has traveled
from the tip of Southern Africa to the Arctic Ocean to the foothills
of Tibet.
Sam says, I finally faced the fact that my talents and passion
lay outside architecture. Writing was what stirred the fire in my
belly, but I had to learn how to get published. Ive now been
published in magazines youve never heard of and I have a 103,000-word
historical novel in the hands of an agent.
ORIGINAL VERSION
IDENTITY CRISIS
Sometimes, who you are is not as important as what you are identified
with. In the years before 9/11, apartheid-not Al Queda-made travel
in Southern Africa uncertain. I knew this, as wed lived for
a year in Lesotho, a small country surrounded by South Africa.
Id carefully plotted a six-country loop trip for my 75-year-old
mother and Sandy, a relative, visiting from the States. We borrowed
a van, which was just right for my wife and I and our two small
children plus the visitors. Now, wed just arrived in Swaziland,
a remote kingdom wedged between Mozambique and South Africa.
We spent the night in Mbabane, the capitol, but Sandys reactions
showed she wasnt the seasoned traveler wed expected.
The drama of traveling in a Third World country still mired in the
nineteenth century was lost on her. Rather than explore Mbabane
the next day, she wanted to visit a friend with the Peace Corps,
near Piggs Peak. I changed our reservations with a surly clerk and
we left Mbabane the following morning. As we headed north, brilliant
sunlight dappled the emerald hills with patches of gauzy light,
promising a bright day.
Sandys visit took longer than expected, and shadows darkened
the forest before we left Piggs Peak. Once underway, I announced,
Matsamo borderpost is about 30 kilometers farther. From there,
well cross into South Africa.
As we entered Matsamo just after five o'clock, a rumbling string
of lorries and carts met us, newly arrived from South Africa. Matsamo
was an assortment of thatched roofed rondavels, a Portuguese quick
stop, a tin-roofed general store and the squat borderpost building.
I scanned the station platform for uniformed officials, but my wife,
Gloria, pointed to a large sign on the high wire mesh fence. Our
hearts sank-the border had closed at five o'clock.
In Africa, one doesnt rush about if he wants something. With
forced calm, I asked an old Swazi sitting on the platform steps
if another borderpost was open. Motioning to the east, he answered
in English, "Yes, at Mananga. It closes at six o'clock, but
it is 80 kilometers. You cannot cross today."
Checking my watch, I figured wed have to travel 50 miles in
55 minutes-nearly 60 miles per hour-to get to Mananga by six. "So
how is the road?"
Puffing his corncob pipe, he replied, "It is not tarred-only
the last six kilometers. But it is too late to go there today."
Quelling my frustration, I appealed, "Is there anyplace for
my family to spend the night in Matsamo?
I anticipated his answer: "There is no place in our village."
There now remained 52 minutes to go 50 miles. My family waited for
my decision. A dash to the Matsamo borderpost was a long shot, but
where else could we go? I looked at Gloria and said, "Let's
try it. I think we can make it," only half believing myself,
as this was Africa. A tree across the road or a stream to ford,
wild animals, and the arbitrary military roadblocks-these and more
could be just ahead. I imagined what Sandy would say if I mentioned
these possibilities.
I accelerated the van south, suppressing an impulse to floorboard
it. Two kilometers and a turn off the tarred road took us on the
dirt cutoff to Mananga. Occasional straight stretches permitted
surges over 100 kilometers per hour. Just past the village of Herefords,
the road swooped into a sandy swale and our vehicle fishtailed,
spraying a curtain of dust. I glanced in the rear view mirror. Nothing
but silence from my passengers. I knew they must be praying wed
reach the border in time-and in one piece.
Careening through wicked curves, we passed Mhlangatane and Sihoya,
lonely huddles of unlighted rondavels. I checked the odometer. There
was no way. Two minutes past six and we hadnt even reached
the paved section. It seemed pointless to ask God for the impossible
but I silently cast a jumble of requests heavenward.
Our headlights illuminated pavement-the last six kilometers! The
lights of Mananga borderpost glowed ahead. But it was nine minutes
past six.
A rattletrap bus idled beside the platform while two borderpost
policemen checked passports. I rehearsed my speech as we pulled
to a stop. One of the officers stalked toward our vehicle. You
are too late! You will have to come back tomorrow!
Come back from where? I wanted to shout, Cant
you see were tourists? But I remained calm.
The second policeman approached and began speaking in a low voice,
pointing to the front of our vehicle. The scowling one turned back
to us, and with a conciliatory tone, announced, "You may come
through. Give me your passports."
Gloria thrust six passports at him. In the time it took him to stamp
our passports, I realized that our Lesotho license plates had brought
deliverance. We were identified with black Africa, not the South
African apartheid system. That had made the difference.
The van picked up speed. My mother laughed, and we all joined in.
The half moon silhouetted cumulus clouds stacked over Mozambique.
A herd of gazelles, looking like phantoms in the moonlight, drifted
into the distance.
I knew God had brought that bus to the Mananga borderpost, delaying
its closing. He had given us grace to cross the border-not because
of my determination-but in response to prayer. Our license tag was
a symbol of identification with Christ-allowing us to leave the
old life, crossing the border to a new land of freedom, purpose
and the peace Jesus gives us.
Critique:
This is a good story in terms of its exotic setting, inherent adventure
and the descriptions.
It has two major problems:
1. No clear sense of urgency exists. What does it matter whether
you make the crossing or not? So, sleep in the car until morning.
Big deal.
2. The narrative is burdened with irrelevant information. Sandy
has nothing but an incidental role. Why you were late at the border
doesnt really matter, and this treatment inevitably reflects
on her as a person, and perhaps on you as well. Yes, it was her
fault you were delayed at Piggs Peak, but you, the guide,
didnt even know you had to be there by 5. That was your fault,
or at least not hers.
Its minor problems include:
1. The gratuitous mention of Al Queda looks like an ingenuous attempt
to be contemporary.
2. My comments inserted in the text below in ALL CAPS
IDENTITY CRISIS
Sometimes, who you are is not as important as what you are identified
with. GOOD THEME SENTENCE FOR THIS ARTICLE. A BIT AWKWARD, THOUGH.
BETTER: . . . . NOT AS IMPORTANT AS HOW YOU ARE IDENTIFIED, OR .
. . HOW YOU ARE PERCEIVED. In the years before 9/11, apartheid-not
Al Queda-made travel in Southern Africa uncertain. I knew this,
as wed lived for a year in Lesotho, a small country surrounded
by South Africa.
Id carefully plotted a six-country loop trip for my 75-year-old
mother and Sandy, a relative, visiting from the States. We borrowed
a van, which was just right for my wife and I ME and our two small
children plus the visitors. Now, wed just arrived in Swaziland,
a remote kingdom wedged between Mozambique and South Africa.
We spent the night in Mbabane, the capitol, but Sandys reactions
showed she wasnt the seasoned traveler wed expected.
The drama of traveling in a Third World country still mired in the
nineteenth century was lost on her. Rather than explore Mbabane
the next day, she wanted to visit a friend with the Peace Corps,
near Piggs Peak. I changed our reservations with a surly clerk and
we left Mbabane the following morning. As we headed north, brilliant
sunlight dappled the emerald hills with patches of gauzy light,
promising a bright day.
Sandys visit took longer than expected, and shadows darkened
the forest before we left Piggs Peak. Once underway, I announced,
Matsamo borderpost is about 30 kilometers farther. From there,
well cross into South Africa.
REWRITE THREE PRECEDING PARAGRAPHS TO OMIT SANDY OR AT LEAST ANY
REMARKS REFLECTING ON HER.
As we entered Matsamo just after five o'clock, a rumbling string
of lorries and carts met us, newly arrived from South Africa. HOW
IS THIS RELEVANT? DID THEY DELAY YOU? Matsamo was an assortment
of thatched roofed rondavels, a Portuguese quick stop, a tin-roofed
general store and the squat borderpost building.
I scanned the station platform for uniformed officials, but my wife,
Gloria, pointed to a large sign on the high wire mesh fence. Our
hearts sank-the border had closed at five o'clock.
In Africa, one doesnt rush about if he wants something. With
forced calm, I asked an old Swazi sitting on the platform steps
if another borderpost was open. Motioning to the east, he answered
in English, "Yes, at Mananga. It closes at six o'clock, but
it is 80 kilometers. You cannot cross today."
Checking my watch, I figured wed have to travel 50 miles in
55 minutes-nearly 60 miles per hour-to get to Mananga by six. "So
how is the road?"
Puffing his corncob pipe, he replied, "It is not tarred-only
the last six kilometers. But it is too late to go there today."
Quelling my frustration, I appealed, "Is there anyplace for
my family to spend the night in Matsamo?
I anticipated his answer: "There is no place in our village."
There now remained 52 minutes to go 50 miles. My family waited for
my decision. A dash to the Matsamo borderpost was a long shot, but
where else could we go? I looked at Gloria and said, "Let's
try it. I think we can make it," only half believing myself,
as this was Africa. A tree across the road or a stream to ford,
wild animals, and the arbitrary military roadblocks-these and more
could be just ahead. DELETE NEXT SENTENCE I imagined what Sandy
would say if I mentioned these possibilities.
I accelerated the van south, suppressing an impulse to floorboard
it. Two kilometers and a turn off the tarred road took us on the
dirt cutoff to Mananga. THIS READS LIKE DIRECTIONS. BETTER TO DESCRIBE
THE DIRT ROAD-SWIRLS OF CHOKING DUST? BETTER (FASTER) THAN EXPECTED?
WINDING? Occasional straight stretches permitted surges over 100
kilometers per hour. STICK WITH MILES SINCE THAT IS WHAT YOU CHOSE
ABOVE. Just past the village of Herefords, the road swooped into
a sandy swale and our vehicle fishtailed, spraying a curtain of
dust. I glanced in the rear view mirror. Nothing but silence from
my passengers. I knew they must be praying wed reach the border
in time-and in one piece.
Careening through wicked curves, we passed Mhlangatane and Sihoya,
lonely huddles of unlighted rondavels. I checked the odometer. There
was no way. Two minutes past six and we hadnt even reached
the paved section. It seemed pointless to ask God for the impossible
but I silently cast a jumble of requests heavenward.
Our headlights illuminated pavement-the last six kilometers! The
lights of Mananga borderpost glowed ahead. But it was nine minutes
past six.
A rattletrap bus idled beside the platform while two borderpost
policemen checked passports. I rehearsed my speech as we pulled
to a stop. One of the officers stalked toward our vehicle. You
are too late! You will have to come back tomorrow!
Come back from where? I wanted to shout, Cant
you see were tourists? But I remained calm.
The second policeman approached and began speaking in a low voice,
pointing to the front of our vehicle. BUILD ON THIS A BIT. WHAT
DID YOU THINK HE WAS POINTING AT? AND WHY? The scowling one turned
back to us, and with a conciliatory tone, announced, "You may
come through. Give me your passports."
Gloria thrust six passports at him. In the time it took him to stamp
our passports, I realized that our Lesotho license plates had brought
deliverance. We were identified with black Africa, not the South
African apartheid system. That had made the difference.
The van picked up speed. My mother laughed, and we all joined in.
THEY REALIZED OR SOMEONE SAID WHAT HAD OCCURRED? The half moon silhouetted
cumulus clouds stacked over Mozambique. A herd of gazelles, looking
like phantoms in the moonlight, drifted into the distance.
I knew God had brought that bus to the Mananga borderpost, delaying
its closing. He had given us grace to cross the border-not because
of my determination-but in response to prayer. Our license tag was
a symbol of identification with Christ-allowing us to leave the
old life, crossing the border to a new land of freedom, purpose
and the peace Jesus gives us.
THIS CONCLUDING SENTENCE DOES NOT WORK FOR ME. IT SEEMS TO VEER
OFF ON A TANGENT. ITS JARRING. WITH SOME REFLECTION, I GATHER
YOU ARE MAKING AN ANALOGY TO SPIRITUAL LIFE, BUT ITS TOO UNCLEAR
AND UNDEVELOPED TO BE EFFECTIVE. IT ALSO DOES NOT FIT THE THEME.
3. SELF-PUBLISHING: A Look at BookSurge
(Disclaimer: ICW has no firsthand experience with this publisher.
Members are cautioned to use due diligence in checking them out.
Any members who have used Booksurge, please report to us on your
experiences.)
The following information is from Allison Brown of BookSurge Publishing:
Booksurge Publishing has been around since 2000. It became an Amazon
company on April 1, 2005.
Allison writes: Please take a look at one of our publishing programs
that I think would be of interest to you, the "Author's Advantage
Publishing Program (in B&W)." If you want to take advantage
of this program, your only cost is $499
Authors Advantage Black & White Publishing Program ($499.00
US Dollars)
Full layout, formatting and book creation from your Microsoft Word
document. You can look at our Interior and cover templates here:
<http://www.booksurge.com/publishingprograms/ppadvantage.php>
1. A full-color-cover design using our colorful, professional templates
and your photographs. You may choose to submit your own cover, as
well.
2. An ISBN (no bookstore will carry you without it, a $225.00 value).
3. A Barcode.
4. Book Selling page on www.Amazon.com, our Parent company, with
a 1-2 day shipping quote and a search-inside-the-book feature!
5. Book Selling pages on www.BookSurge.com <http://www.booksurge.com/>,
www.Target.com <http://www.target.com/>, www.WaldenBooks.com
<http://www.waldenbooks.com/>, www.Borders.com <http://www.borders.com/>
www.Alibris.com and www.Abebooks.com.
6. Listing on RR Bowkers www.BookInPrint.com <http://www.bookinprint.com/>
and www.GlobalBooksInPrint.com <http://www.globalbooksinprint.com/>.
7. Author wholesale discounts of 30-70% off the retail price of
your book, starting from the very first copy you order. The retail
price is automatically determined by the final page count and the
trim-size you choose for the book. You can see them here: <http://www.booksurgepublishing.com/printing.php>
8. Our Interior Templates for Formatting can also be found here:
<http://www.booksurge.com/publishingprograms/authorsAdvantageInteriorTemplate.php>
9. Royalties of 25% of that retail price paid on every online sale
of your book
10. Enrollment into our Talent Acquisitions Program
11. A hard cover version of the book is also available for a one-time
fee of $199
12. IF YOU HAVE BLACK AND WHITE IMAGES INCLUDED
Number of Graphics/Images Included: Inclusion Fee:
1 - 10 $100
11 - 20 $200
21 - 30 $300
31 - 40 $400
41 - 50 $500
We have also developed some publishing Packages for
authors who plan on investing a little more than the basic fee and
gaining some more visibility for their work. I have attached them
to this email or you can see them here: <http://www.booksurge.com/packages/>
In developing these packages, we have bundled the services that
we feel are necessary to produce and aggressively market an attractive
and professional book. The cost for these packages range from $1799.00
to $5,899.00
If you want marketing services, but these packages don't seem suitable,
you can hand-pick the services you feel you need to customize a
Package. In addition, we will schedule a marketing session to assist
you with the implementation of your package.
As for royalties you receive 25% from all the websites we list your
book on. Books that you sell on your own accord you will receive
all the profit (100%).
For your convenience we accept Visa, MasterCard, American Express
and Discover. We also can accept a faxed, mailed or scanned personal
check.
We also have a FAQ section on our website here:
<http://www.booksurge.com/resources/>
Please contact me by phone at 1-843-789-5173 or by e-mail at allison.brown@booksurge.com.
I look forward to working with you soon.
4. WRITING FOR THE UPPER ROOM
Hi, Stan. Mary Lou Redding here. I hope you're well.
I appreciated seeing Charles Harrel's note about his meditation
that appears in the current issue of The Upper Room. FYI, the magazine
is now (today - it changes almost every month) published in 81 editions,
in 42 languages. Africa Upper Room Ministries has recently begun
broadcasting the daily meditations in French in Africa, so the daily
witnesses of our writers are now reaching even more people. As Charles
mentioned, those who have their writing published in The Upper Room
reach a huge audience. To put it in perspective: If a pastor preached
to a new congregation of 2,000 every Sunday for twenty years without
a vacation, that pastor would still not have addressed as many people
as read a meditation in The Upper Room.
We always need good material and welcome new writers from around
the world. Our writer guidelines are available on our web site:
www.upperroom.org. Click on daily devotional on the
right side of the home-page screen and then on writer guidelines
on the left side of the daily-devotional screen. Weve also
recently added a form to the web site so readers can submit a meditation
directly; the form prompts for each element needed in a meditation.
We now get about 50% of our submissions via e-mail.
Blessings on your ministry!
5. PERSONAL NOTES:
From Terry White, editor of BMH Books:
I dropped into an Open House for our lead pastor last evening, Stan
-- he's turning 50. One of the gifts a parishioner brought him was
a Stan Baldwin book entitled something like "A Funny Thing
Happened on My Way to Old Age" -- just thought you'd get a
chuckle (and a royalty) out of knowing that.
REPLY: Thanks for the word about my book being given to your pastor.
Reports like yours help me to remember that our writings can reach
and bless people though we never even know it, except once in a
while we hear somehow. So your email was a gift much appreciated.
On Jerry Jenkins:
Jerry worked under me at his first job in Christian publishing.
In his newest book, Writing For the Soul, (Writer's Digest Books),
Jerry writes several paragraphs about what that meant to him. Summing
up: "Working under Stan was the best schooling I ever got."
Thanks, Jerry, and I still remember your dedication to learning
all you could. You also told me once you wanted to do well in order
to make your boss look good. That spirit meant a lot.
Back to Pastoring
I have recently accepted the interim pastorate of the historic (113
years old) Butteville Communty Church, near Wilsonville, Oregon.
Exciting things are happening. If you find yourself in the area
on a Sunday, please visit.
Meanwhile, keep writing!
Stanley Baldwin, Director
Contact Stanley Baldwin at scbaldwin2@yahoo.com <mailto:scbaldwin2@yahoo.com>
.
For email address changes or deletions please reply to Jane Foard
Thompson.
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